Remember

I have been writing this blog every week since April 11th.  That is three months and that is a record for me. I love to write, but I have always written in fits and starts.  I have hundreds of beautiful notebooks with 3, 5, or 20 pages written in them, but I have rarely filled a notebook up page by page.  I have files of stories written, but they sit for years collecting dust, get dusted off, and only to collect dust again.  So how and why did I change?  I changed because one person showed me she cared.  One person invited me to join her in writing.  That’s all it took.  One person.  Again, thank you Ruth Ayres for changing my writing life.

I now have begun taking an online writing course – the famous Writing Down the Bones with Natalie Goldberg.  In the first lesson, Natalie explained how to center yourself  with meditation before you write.  This could be done walking, sitting, or laying down. Then Natalie said something that both surprised and comforted me. She said that we will all go out of this life laying down and we will go out meditating or writing.  I just loved this image because like most everyone in the planet I’m afraid of dying – but if I could go out writing – yes that’s is the way I will choose to go.  I will be writing in my head till my last breath and I will be at peace.

These last few weeks, I have been remembering Catherine and Henry – those days, weeks, and months of taking care of him after Catherine’s death.  I had stored them all up for the last 36 years, keeping them safe for Henry so he would someday know of that time.  I wrote 33 pages in 5 days.  I just kept writing and more old memories came. I wish  I could remember more about Catherine, but what I remember the most was her kindness.  She always wanted to know what I was thinking, so ready to guide and comfort.  She never made me feel like my ideas were simple or ridiculous.  Catherine always encouraged me.

Remembering is painful and sweet – both are necessary to grow.  I think I was put here to remember and record – to witness life and to take it all in for myself and for others. The pain my father caused – those memories are part of my fabric.  I used to want to unravel those threads, but I came to know that the pain was part of the design.

And as I reflect on remembering, I am drawn to what I’ve forgotten.  I’ve forgotten what my mother’s faces looked like.  I need to look at photographs to really remember.  She died only six years ago but still my memory of her is fading. Why can’t I remember her exact looks?  All the images, all the expressions melt into one collage: my mother at 40, 50, 60, 70, 80, 91.  My mother at 91 was all soft folds and brown spots, curled over not taller than me anymore.  I think I remember my mother best at 50.  I was 16 then.  That is the mother I remember because that is the mother who took me shopping for fancy earrings when I was heartbroken about some boy whose name I’ve long forgotten.

Every once in a while lately, I can look in the mirror and get a glimpse of her. That used to horrify me, but now it makes me feel reassured.  I know where I came from.  Vivian is still with me, inside me. I remember.

My Mother’s Things

My mother’s things 

Sit upstairs in the little brick Cape

With the gray shutters

Somewhere in New Jersey.

Her things,

The things she left behind:

Old worn white bras,

Soft and comfortable – 

Pastel flannel nightgowns trimmed in lace,

The black and red snowflake sweater

I gave her one Christmas,

Lots of small boxes with cheap jewelry –

Little plastic treasures –

Shiny bits of memories.

 

My mother’s things

Folded and packed away:

Her address book scrawled with

Her eloquent handwriting,

A book of prayers,

A class photo – 1983 –

Her second grade class,

Mom in the middle – the doting teacher –

A moment of pure happiness.

My mother’s things taken away,

Taken by family, taken by strangers.

My mother’s things – 

All her self taken –

Gone, gone, gone.

 

One or two things –

My mother’s things

I squirrel away:

Her laugh, her smile,

The way she’d touch my arm,

The memories of her love

Kept safely, so carefully,

So gently, kept with me.

Her self remains with me

Until I’m gone.

 

 

 

Invitations to Wonder…

Last week, Ruth Ayers invited her online writing group (SOS: Sharing Our Stories) to write about 7 small things.  Instead, I chose to write about anger.  Anger is not a small thing.  Anger is a big thing, an explosive thing.  It starts small and then grows.

As I read some members’ blog posts this week, I was reminded about the importance of simple joys.  All week, I  kept turning lists of small things over and over in my mind.  I have always been attracted to the small seemingly insignificant things: stop to notice the dandelion blooming between the cracks in concrete.  I’m a photographer, and so as I make my way through a mountain pass or a city street, my eye is always on the small things that most people would miss.  Those small things aren’t always aesthetic or beautiful, they were just common, ordinary things.  In their ordinariness lies their unique importance.

Poet, Valerie Worth, wrote a book for children called All Small.  I’ve used her poems to teach children to notice the wonders of small things.  Small IS beautiful.  The world consists of countless small things and those small things are what what makes the world an incredible place of wonderment.

As I made those lists in my mind of small things, as I reflected on a selection of small items, I thought about the work of Basho, the 17th century Japanese poet who was a master of haiku – the 3 line poem of 5-7-5 syllables.

                                                  The old pond.                                                                                                                                           A frog leaps in.                                                                                                                                        Sound of the water.

                                                   **************

                                              Their own fire                                                                                                                                          Are on the trees,                                                                                             the fireflies Around the house with flowers.

 

I decided to try my hand at some haiku for this last week of April, focusing on the small all around me.  I offer these seven small things to you now.

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Apple blossoms pink                                                        Branches tap on my window                                        A burst of bright spring

 

 

 

 

 

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Here pinecones scatter                                   

Among the gray-green bracken                     

Thorny and silent

 

 

 

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Petals on petals

Circular meditation

Center holds beauty

 

 

 

 

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Salt, sand, surf meets shore

Shells in pink light perfect                                         

Curves – one to another

                                                                                                             

 

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Perfect sculpted fur                                            Squirrel’s not camera shy                                   Swishes his puffed tail

 

 

 

 

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Egret stands alone

Graceful curved neck – peaceful

Alert – swish of fish

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Poet Found: Ross Gay

Back in February, I bought a slim volume of poetry because I loved the cover – a bright floral abstract and the title, Catalog of Unabashed Gratitude by Ross Gay.  I flipped to the first page – a poem about figs.  Figs – my Grandpa Charlie’s favorite and my favorite too.  I often splurge and buy a basket of them when they are in season, slice them in half and enjoy them twice as long, not sharing a single one of them with anyone!  All to myself – those figs are my treasure.  So yes, I knew I would love this book.  But of course, in my true inconsistent fashion, I forgot about the book before I read all of it, and it became wedged between my countless notebooks on my my bookshelf.

Catalog of Unabashed Gratitude

Last week, as I was ready to go off on vacation, I was looking for a sweet summer read. I pulled out the book, returned to the figs and was mesmerized. I read on and on trying to uncover the rhythm, welcoming the repetition, wondering how this young, gay, Black professor from Youngstown, Ohio composed words in lines I wished were my own. I invite you to dip into the nectar of his words.

Gay takes mundane things: buttoning his shirt, sleeping in his clothes, drinking water from his hands and creates a cadence you can’t help but read aloud and wonder: “How does he do that?” Something about the arrangement of his words and the sounds he created encouraged me to read his words aloud.  There is something so powerful – not just in the images, but in the sounds in composed. I read the book cover to cover, and over and over, trying to get his genius to repeat in my brain. Rereading his words opened the floodgates of sorrow and beauty, and I began to write poetry again. For this, I am grateful.

Room 109                                                                                                                                                by Joanne L. Emery

The hotel used to be a sturdy and elegant bank,

On a street corner in Old Montreal:

A historic landmark, a fortress now for art:

Warhol, Indiana, Hirst, Magritte, Miro –

And there in the gilded frame

Against the pale yellow wall,

Monet’s garden peaks out:

Corner of Garden at Montgeron

Peaceful greens and blues,

Speckled pinks and dappled yellows –

Century-old paint

Brushed into being

To soothe me as I sit

In the yellow chair by the window

Anticipating sunlight.

 

 

 

 

 

Write What You Notice

I recently attended a teacher’s workshop presented by Penny Kittle at Rutgers University sponsored by Rutgers Center for Literacy Development.  I’ve seen Penny many times. Usually, she talks to teachers about creating reading and writing workshop spaces in high school classes.  Penny was a high school English teacher in New Hampshire and her mentor was the late, great Donald Graves.  I was looking forward to Penny’s presentation because she is always inspiring and gives my teaching doldrums a spark.   This time, I was especially looking forward to hearing her because she would be talking about one of my favorite subjects – Poetry.   However, in the back of my mind, I thought there was very little new that I’d learn ,since I was a student of Adrienne Rich, have published some poetry, and have taught poetry to children for the last 40 years.  What could Penny teach me that I could bring back to the faculty at my school?  Probably not much, but I’d have a great day listening to and writing poetry.  That is a noble undertaking in cold and dreary January.

And of course, Penny had much to share.  She talked about exposing students to a lot of poetry, reading it aloud and re-reading it.  Then lifting a favorite line and using that line to spark one’s own poetry.  I’ve done this many times before both as a student and as a teacher, but practicing it again with unfamiliar poems made it all brand-new again to me.  One of Penny’s creative admonitions also rang true:  Don’t write what you know – Write what you noticeAs a little child, I was always noticing everything in my environment.  In fact, I was such a slow reader, because I was absorbing and dissecting the author’s craft.  I didn’t want anything to escape my notice.  I was also a notorious eavesdropper, using everything little tidbit in different poems, stories, and drawings. Helping students develop a keen eye for noticing is a essential in having them grow to be more curious and deliberate writers.

Then came a space in Penny’s presentation in which she showed a video clip of a poem by Patrick Roche, “21 Cups.”  I could not keep up with the rest of the workshop activities after that.  I became entranced by Patrick’s poem both the way in which he constructed it – counting back from 21 years to one year old – and the compelling way he described the dysfunctional relationship he had with his father.  Patrick’s poem completely held my attention; completely made me sit up and take notice.  Now, this is the true power of a poem. I immediately had to share it with someone.  Who could I share this poem with?  I knew almost immediately – Mike Rosen!  Mike is a former student of mine, and now he is an amazing, accomplished spoken word poet.  I would share Patrick’s poem with Mike; he would understand.  And of course, the world being what it is – small and round – Mike knew Patrick’s poem and had organized a poetry slam in which Patrick was one of the participants.  Small world, indeed.  And that is the other power of poetry – it connects.

I strive to write poems that will make people sit up and notice and connect.  I want to help students writers to notice, connect, and share.  One of the 3rd grade classes in the the school where I am the ELA Curriculum Coordinator, introduces children to philosophical ideas through literature.  This past week, the 3rd grade teacher shared with me her students’ reaction to the question: “Is art and poetry necessary for a community?” after reading Leo Lionni’s book, Frederick This teacher was a bit dismayed that her young students all agreed that poetry and art were indeed NOT necessary.  She wanted to jump into the discussion and tell them that they were wrong, but that is not allowed in philosophical discussions.  My reaction to her was that she needed to provide her students with more art, music, and poetry and have them wonder what life would be without the arts.  This is what happens when we separate the arts from academic instruction, but that is a topic at another time!

Penny ended her presentation by sharing the work she has been doing as a board member of the non-profit group, Poetic Justice, which helps incarcerated women in Oklahoma express their feelings and ideas through poetry and writing classes.  Here, Penny illustrates the immense need for community to forgive and heal through poetry.  Here, she shows  pathways between the outside and inside world.  Here, there is a place for inmates to  explore the depths of right and wrong and redemption.  And it is here where readers sit up, take notice and are transformed.

Mindful Assessment: Breathe, Lean in, & Listen

Fall is here, and for me September and October mean it’s time for ELA assessments. The teachers, specialists, and I gear up to assess the reading, phonics, spelling, and writing skills of students to help support their learning throughout the year. It is an intensive rush to provide the best instruction possible. This year, as I begin to assess third, fourth, and fifth grade students’ reading, I feel the usual pressure to get the assessments completed quickly and efficiently. Then I remember the Zen principle of being present. Instead of thinking of all the things I need to do as I listen to a student read about early railroads, I stop myself. I take a deep breath, lean in and truly begin to listen. As I listen, I ask myself, “ What strategies is this student using to help her understand the story?” I marvel at how young readers naturally “talk back” to the text, questioning what they’ve read and re-reading to fully consider the information. Of course, I’ve been reading some of these same passages for several years, but it never fails to amaze me how each reader brings something new to the reading. The students’ beginner minds allow them to be open to the text and to create understanding together with the author. I have had some fantastic conversations about steam-powered railroads, the process of respiration, and an author’s travels to Japan. The most important outcome of these assessments is the time I spend with young readers listening to them construct meaning. I call this process Mindful Literacy, finding joy in the reading moment.

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In the rush of everyday life, when dinner has to be put on the table and clothes need to be washed – I urge parents and teachers to take a deep breath, lean in, and listen to your children and students read.  You will discover the strategies they are learning to decode new words and to understand complex text. As they read, their words will transport you to new worlds. They will ask questions you may have no answers for and together you can ponder the possibilities. You may, in turn, want to read to them and then it is their turn to breathe, lean in, and listen with their full imaginations.

Mindful Literacy cannot only slow us down and help us to attend to what’s important, it can also help us to love texts and the subjects we know through them. This deep engagement with books can inspire in us a reverence for word and deed and for one another. It just takes a small space in the day to connect with your young reader and share a magical reading moment.