Inside the Wonder Studio: Life in Miniature

A brave and brilliant 5th grade Wonder Studio crafter wearing kaleidoscope glasses.

When I was in the 5th grade, I loved making miniature replicas of things that I was learning about in school: prairie houses, covered wagons, log cabins, and so much more.  When I read about ancient history, I would make models of castles, pyramids, and I even made a sugar cube Roman Colosseum. I loved designing and building in miniature. I loved the challenge of finding materials that could be used in my creations. My good friend, Roxane, was an expert at sewing tiny families of mice clothed in wonderful Victorian costumes.  I didn’t know how she crafted them so meticulously. My creations definitely looked child-made.  I was so proud of them.  Taking the time to create them deepened my understanding not only of the crafting process, but also of the time period I was endeavoring to replicate.

This month in the Wonder Studio, the 5th graders have been working on a small scale.  No one mandated that they do so.  They all just started making tiny projects.  It might be due to the fact that they are starting a unit in math in which they are required to make tiny houses for clients. The clients are comprised of willing teachers and school staff.  No matter what the reason, this focus on small is age appropriate and well-suited to their developmental level.  Their fingers are now skillful enough to manufacture tiny things, and they are intellectually curious about how various things work.  By making miniature models, they are able to gain a fuller understanding of how the real things work.

This is the 5th graders’ second round in Wonder Studio this year.  They no longer need an introduction to where materials are stored or how to operate simple machines  the hot glue gun, saddle stapler, saw, drill, cardboard scissors, iron, etc.) As soon as we enter the studio, they rush to work.  They all have ideas and are ready to put them into action.

The hot glue guns are very popular!

A group of three students, then four, now six are constructing a model of their classroom to present to their teachers on Teacher Appreciate Day in April. Four students are creating the classroom with foam core, cardboard, and wood scraps.  Two others have labeled themselves “the carpenters,” and are making a series of tiny wooden desks and chairs for the classroom.  I sit back and marvel at their ingenuity.  I jump in when I’m asked for materials or crating assistance.  But the ideas?  The ideas are all theirs.  In these short set of weeks, I’ve seen their confidence and ideas grow.  They are more willing to take risks.  They problem-solve, collaborate, and call on each other’s best skills.  When I witness this natural buzz of creative process, I become so excited because to me this is the essence of learning.  They are in the zone.  They are in what Csikzentmihalyi called the state of flow.

Students make miniature bulletin boards for their tiny classroom model.

Another pair of students have decided to create bakery products.  They are concocting donuts, coffee cakes, and cupcakes with found objects from the Wonder Studio.  One student found a way to make roasted marshmallows. They find things that I didn’t even know we had!  They cut, paint, glue with happy abandon.

Donuts, coffee cake, pie, cake pops, cupcakes and roasted marshmallows!

Anna has brought a small plastic bag with her to the Wonder Studio.  She takes out a miniature pinball machine that she started at home.  It is incredibly tiny, and she is determined to make it work.  I am in awe of her precision. I keep wondering how we can transfer this kind of agency and enthusiasm to regular classroom experiences.  The students always tell me that Wonder Studio should be a “real subject” like math and English.  They want that challenge of coming up with an idea, their own idea, and seeing it grow into a reality. They need time to do this.

Tiny working pinball machine.

Ida, who is unafraid to try something new, excels in Wonder Studio.  I call her “our engineer.”  She loves making tiny replicas of machines that really work (a humane trap, a windmill, a rolling cart – to name a few).  This week, she saw a “That was Easy” button I had on a counter and decided to make one out of cardboard soup container lids.  Ida’s button says, “OOF!” on the top, and when you press it, it makes a soft whooshing sound.  I am amazed and ask her how she constructed it. Ida looks at me like I have just asked the dumbest question on the face of the planet, shrugs her shoulders, and says confidently, “Compressed air.” I am constantly surprised by Ida’s ingenious designs.

Engineers and crafters at work.

These small creations, this work in miniature, garner big results.  The students now own the Wonder Studio.  It is their space.  They know how to use it.  They are no longer hesitant but dive head-long into projects – trying ideas, sometimes abandoning them, but mostly following through and sharing their creations proudly.

Celebration in the Wonder Studio: Lunar New Year

A dozen girls gather at recess time to work in the Wonder Studio.  They are in the midst of painting, decorating, and constructing projects of their choice.  This week, I added a box in the shape of a dragon’s head to celebrate Lunar New year.  I quickly cut the box to look like a dragon with a wide pointed-tooth grin.  The girls collected some found objects to make the dragon’s eyes, nostrils, and teeth.  Then we all took turns collaging bright colored tissue paper all over the head in layers upon layers.  Once completed, the dragon would be hung right outside their classrooms to celebrate Lunar New Year.

I have done this dragon project with countless students over several decades.  I love this tradition because it always sparks children’s imaginations and makes the classroom atmosphere festive.  I think the best way for young children to learn about other cultures is through celebrations (food, storytelling, and art). These are powerful ways in which to hold memories.  When I was a classroom teacher, this art project would be the anchor for deep research into the holiday and the Asian culture.  We read widely and began to understand these cultures and traditions more organically.

These days, I’ve noticed that with more and more emphasis on curricular initiatives there seems to be less and less time to celebrate, less and less time for conversations, and less time for connection. The classrooms are a rush of activity, one lesson after the next – go, go, go.  Don’t stop. Don’t think.  Don’t feel the struggle and joy in learning.

I’m glad I can eke out some time for kids to converse and create; some time to experiment and play; some time to celebrate the small things.  They need to know the joy of taking a risk – of taking a cardboard box and transforming into something whimsical.  There is magic held within that simple box, and I want children to experience that creative power.

As they worked, they began asking questions about Lunar New Year.  They began talking to each other naturally.  Some of them knew quite a bit about the holiday and supplied lots of information with facts and personal experiences. Questions grew and so did the students’ understanding.  They wanted to know more.  They wanted to become part of the celebration.

Books About Lunar New Year

3rd Grade Makers: Creating in the Wonder Studio

Sometimes the best learning environment

for students isn’t a bunch of devices powered by Wi-Fi,

sometimes it’s a huge pile of cardboard

powered by pure imagination.

                                                                        -Krissy Venosdale

It’s January, and it’s finally time for the 3rd graders to have time in the Wonder Studio during recess. They are beyond excited.  I look out onto a sea of eager faces, and they are literally bouncing with energy. I gather them on the porch before we venture inside, “Listen please.  I’m giving you two sets of directions: Number one – go into my office, take off your coats, and put them on the chairs on the left side of the room.  Number two – Then go into the Wonder Studio and sit on the steps. When you are all seated, I will give you a guided tour of what we have in the Wonder Studio today.”

To my surprise, they quieted down immediately, listened to my directions, and followed them to a T.  Note to self: when something is dearly important to children, they will tune in and engage in the process with their whole hearts and curious minds. The 3rd graders have been patiently waiting for this day.  The 5th graders participated in October and November, the 4th graders participated in November and December, and now it is their turn.  The quota for each session was 9 students.  Every single 3rd graders signed up to participate! In order to give everyone a chance, so I increased the quota to 12 students per session.  The studio is a very small space. I crossed my fingers and hoped that this group could navigate the room and materials without too much chaos.  To my delight, they got right to work, setting up their spaces and helping each other.  Long before this day, they had been thinking hard about what they wanted to create.  Soon, the studio was abuzz with activity.

Carlie wanted a small box, which I found for her.  “I’m making a bed,” she declared.

Francee wanted a bigger box and some cardboard.  “What are you making?” I asked.

“A hotel for my scrunchies,” she said, holding up three colorful fabric scrunchies.

I laughed.  I had never thought of making a hotel for scrunchies.  I marveled at her creativity.

Francee’s enthusiasm was contagious, and she soon had two classmates helping her construct the hotel.  It had three floors created with plastic strawberry baskets and needlepoint canvas.

Some people would observe this scene and define it as childish.  I suppose it is, but childish not in a dismissive and frivolous way.  When I think of the word childish, I think of creativity, imagination, a great sense of play, adventure, and wonder.  The studio session captured these childish times: a child painting paper plates with bright colors, another child duct-taping blocks together to make her own version of a Rubik’s cube, and yet another child stringing beads and wooden snowflakes together to make a winter garland.

Carlie has returned to request a stapler. “What do you need it for?” I ask.  I’ve learned to ask this question because often students do not request the tool that they actually need.  In this case, Carlie wanted the stapler to “sew” pillows for her bed.  I looked at the tiny fabric squares in her hand.  She had put a cotton ball in each square and showed me where she wanted to staple.  “May I show you something?’ I asked her gently.  She nodded her head.  “Staples are not the best tool for making pillows.  Let’s try sewing instead.  Would you like me to teach you how to do it?” Carlie nodded again.  We worked together to sew two small pillows perfectly for her cardboard bed.  “Do I have time to make a quilt?” Carlie asked. “Next session,” I promise.

I looked at the clock. “We have five minutes to clean up,” I announce to the girls.  They moan in unison. “I know.  I know.  You have done excellent work.  There will be more time next week.”  They slowly complied, as I stood directing where to put palettes and paint brushes.  Someone had spilled some water and others come to her aid.  We found space for paintings to dry and beads to stay organized.  Francee’s hotel was put on a high shelf, as was Carlie’s bed.

This childish time is essential, so nourishing.  I know it, and the girls know it. We have formed a strong bond.  There is such satisfaction, such a sense of purpose when making something with your own two hands out of your own wild imagination.  We all want to stay here in the Wonder Studio just a little longer.

Embracing the Process

During the last two weeks, I have had the good fortune to get back into the Wonder Studio with students.  The Wonder Studio is a little swathe of space formerly the lobby of an old Victorian building that houses some of my school’s classrooms and offices.  I created the space to give children a place to craft and have agency over their own imaginations.  I gather junk, art and craft materials, and recyclables, and then stand back to see what the girls do with them.  Wonder Studio is not a class, though the girls have begged it to be.  Studio time is granted two days a week during recess on the days that I don’t have meetings at lunchtime.

This spring, I invited the 5th graders to come back into the Wonder Studio.  They love to make messes. Today, they sang the “Clean-up Song” to me that they learned in Pre-K. They sang so sweetly and earnestly,  however they didn’t quite clean everything up.  Some of them tried to skip out without cleaning brushes or throwing away paper scraps.  I get it.  I was twelve once.  I was, I assure you – and I too loved to make messes, create, build, and imagine. And I still do.

Last week, while Laila was working on yet another new project, I observed aloud that she often created things and then abandoned them.  She looked up at me grinning.

“I know,” she said, “I love the process.” 

I laughed and agreed.  Then I asked her if I could dismantle her massive seashell sculpture so others could use the shells. She gave me her permission.  As I worked ungluing the shells, Laila started looking around the room at my materials.  She often finds things I didn’t know I had.  Soon, Laila held up a small pink plastic bowl, which was serving as a container for someone else’s small project.  I looked at her skeptically. 

“They won’t mind.  It’s not part of the project.” Laila promised. “Here,” she said as she held up a small box, “They can use this.”  And off Laila went with bowl in hand to create her next project. 

The other girls in the group spend time making bracelets, sewing patchwork pillows, decorating small boxes, or making little rooms decorated with paint, glue, and cotton balls.  Everyone is quiet and very intentional in their constructing.  I do not offer advice unless asked, and I help with construction only when the student needs assistance.  I keep my distance and my humor. Wonder Studio time is actually my time to relax and let joy come to me.  It always does, and it’s worth the mess and the cajoling to clean up.

Laila got out her favorite tool, the hot glue gun and began to adhere things to the small plastic bowl.  She found that the plastic forks did not stay on properly and then peeled them off. Next, Laila took some fat pink yarn and began to wind it onto the bottom of the bowl. She wanted to use counting bears from the math lab closet, but I told her that we couldn’t use math materials.  She frowned and began hunting for a replacement.  She found small wooden objects: an alligator, a bear, a snail, a leaf, and a heart.  As I watched this process, I was fascinated by how quick she worked and how undaunted she was when she encountered failure.  In fact, Laila didn’t think of it as failure, she was enjoying the challenge. Laila would just try something new if the first thing she thought of didn’t work.  At one point, I asked her what she was making.

With a smile, she turned and said, “A centerpiece for your desk!”

I laughed and said, “Laila – when I’m old and in the retirement home I hope you will stop by and show me photos of all the sculptures you have on exhibit all over the world.”

“I will,” Laila said cheerfully and got back to work. When it was time to clean up, she was reluctant.  I put the bowl in my office and told her that it would be waiting for her when she returned to the Wonder Studio.

Today, Laila finished her project.  She put a wooden pedestal in the center of the bowl and turned it over.  Then she glued the pedestal to a jar lid and turned it upside down.  She came over and handed it to me.

“The centerpiece for my desk?” I asked, taking it carefully into my hands.

“A lamp for your desk,” Lalia replied.

I laughed, “Of course, a lamp.  It looks just like a lamp. I am going to put it by pink teapot. Thank you.”

And with that, Laila turned back into the Wonder Studio and started another project, this time with beads.  She took hot glue and put it at the end of some string.  “This way, I don’t have to make a knot,” she said.

Human imagination continues to surprise me. After forty-two years of teaching. I’m still not sure how to teach this kind of ingenuity. The only thing I do know is to make space and step out of the way.  I know that I have to be quiet and listen.  My students always show me the way.  They know what they need.  They know when they are stuck. They know how to change their circumstances and make something new. The process is the learning, and they are totally engaged and in the flow of creating. The key is to embrace the process.

The Work Around

I embrace mistakes. I do.  Really.  I don’t mind making mistakes.  I always think of creative ways to fix them.  I’m not sure how I developed this mindset.  Maybe it has something to do with being the youngest in my family.  I was always making mistakes and being reprimanded for them, so early on I decided to make them into a game – How can I change that problem into something positive? How can I make that ink blot an artistic design? How can I take that hole in my jeans and make it into an embroidered masterpiece?  How can I take what you think is wrong and make it right?  I will prove to you that indeed it is not a mistake, a problem, or an obstacle. I will prove to you that It is an opportunity.  It will be a success not a defeat.

Come to think about it, maybe my tenacious mindset could just be called stubbornness, but it has kept me in good stead.  On the last day of school, I received a text from a former colleague and dear friend who wrote, I admire your perseverance and steadfastness.  Maybe that’s what it is. But whatever it is, I think of it and call it “The Work Around.”  And I teach this to children.  No matter what problem you face, what obstacle you encounter, there is ALWAYS a work around. There is always some way you can solve a problem and improve your situation. You just have to keep curious and be willing to play with your stumbling block.  Toss it around a bit, roll it down the hill, bounce it into the bushes.  Don’t be afraid.  Create something new.

I had a chance to practice what I preach during these last few weeks of school. I was told that the school’s Wonder Lab had to be dismantled so that it could become the Computer Science & Engineering classroom.  I had worked on designing and developing the Wonder Lab concept for the last five years. The Wonder Lab had been an old art room, which I was allowed to renovate.  It was a beautiful space filled with all kinds of materials with which students could freely use, explore and create. They could make dolls, cars, tree houses, restaurants, skateboards, complicated marble runs, and anything else they could imagine.  And they did. The space was loud and messy at times.  Those were the times that I looked around and smiled because I knew the kids were engineers of their own learning.  It was a true play space.  No adult was telling the kids what to do or think or design.  When I first explained the concept to the children, I thought they might be hesitant, but I was mistaken.  From the first day, the kids ran to the materials with visions already in their heads. They began constructing immediately, and only asked my advice when they needed a particular item or help with the hot glue gun.  Thanks to the Wonder Lab, I have become a master hot glue gunner!

I tried to explain the importance of cultivating creativity and free play in childhood to administrators and colleagues. Over the years, I’ve noticed that little kids are exuberant and willing to take risks, while the older students begin judging themselves and limit their possibilities.  The Wonder Lab started to remedy that.  We were just beginning.  But I couldn’t convince them, and I started to dismantle the room glue stick by glue stick, egg carton by egg carton.  However, before it was completely shut down, our 4th graders commandeered the space, creating PBL projects on the importance of play.  They made cars, games, a club house, play dough, and dozens of fidgets.  As I watched them, I realized I couldn’t just let the space slip through our hands.  This space was necessary.  It was important not just to me, but to the children. They needed to have this kind of space, and I had to think of a work around. 

For a couple of days, I sulked, ate chocolate cake, and consumed an entire bag of popcorn in one sitting. I tossed my stumbling block in the air.  It fell on my head with a thud a couple of times, and then something happened.  There is a space in between the Wonder Lab and my office.  It is a small open lobby where I had to temporarily store all the Wonder Lab materials.  I looked at it and imagined it clear of clutter.  It would make a great wonder space for a small group!  I would just need to store the materials in another part of the building.  This could become a cozy creative space, a Wonder Studio of sorts.  When I shared my idea with a colleague, she looked at me with a smile and shook her head.  I asked her, “Do you think it won’t work?”  She said, “No, I think it’s a great idea. I’m just amazed by the way you don’t give up.  You are always thinking of another way to do things.”  I told her that I had a lot of disappointments in my life, and the work around was my way of dealing with them.  I almost let this disruption defeat me, and then I thought of the kids.  I couldn’t just let the space go because the kids definitely, absolutely, unequivocally need to play!

One of my 4th grade students is extremely creative.  She is a dreamer and constant tinkerer. Last year, she attempted to make a life-sized model of a bison.  A bison?  Yes, a bison.  Her class was studying Native American culture, and Simone became intrigued by bison.  I found a huge refrigerator box and she started to shape and construct the bison.  Then COVID struck and the bison was abandoned.  We talked about making a smaller, more portable version, but the Wonder Lab had been closed most of the year due to COVID restrictions.  During the last month of school, I gave the 4th graders time to construct projects centering on play.  Simone asked for another big box.  I found one, and she immediately began making what she calls “A Fidget House.”  It is a small house with a duct tape wrapped roof and an opening strung with colorful beads you can play with.  Looking back, Simone has had a rough year.  COVID made her anxious and her attention to her school work has fluctuated.  She has trouble sleeping and of course, trouble initiating and completing assignments.  But when I watched her build that house, she had laser-focus.  She had no trouble initiating or following-through. When problems arose with the construction of the house, it didn’t stop her.  She thought of a work around.  That is when I truly knew that I would not let Wonder Lab disappear.  I had to find a way to keep it going because Simone and her schoolmates are in desperate need of a place to create, imagine, wonder, and play.

During the last week of school, I spoke with Simone privately.  We talked about the obstacles she faced this year.  We made a vision board of what she imagines in the future school year.  As she filled in the board with possibility, an idea popped into my head.  I asked Simone if she’d like to be captain of the Wonder Team. She turned to me quickly, eyes wide and smiling.  Until that moment, we didn’t have a Wonder Team. We didn’t even have a Wonder Lab anymore, but I wanted Simone to know that I valued her ingenuity. She was a leader in creativity and curiosity.  Together we would make it up and figure out the work arounds.  

Books for Kids about the Possibilities in Mistakes

Beautiful Oops by Barney Saltzberg

Crazy Hair Day by Barney Saltzberg

Even Superheroes Make Mistakes by Shelly Becker

Giraffes Can’t Dance by Giles Andreae

Ish by Peter Reynolds

Mary Had a Little Lab by Sue Fliess

Mistakes that Worked: 40 Familiar Inventions & How They Came to Be by Charlotte Foltz Jones

One by Kathryn Otoshi

Only One You by Linda Kranz

Rosie Revere, Engineer by Andrea Beaty

The Book of Mistakes by Corinna Luyken

The Day Roy Riegels Ran the Wrong Way by Dan Gutman and Kerry Talbott

The Girl and the Bicycle by Mark Pett

The Girl Who Never Made Mistakes by Mark Pett and Gary Rubenstein

The Lumberjack’s Beard by Duncan Beedie

The Most Magnificent Thing by Ashley Spires

The Quilt Maker’s Journey by Jeff Brumbeau and Gail de Marcken

Was That on Purpose of by Accident?  By Janelle Fenwick

Zero by Kathryn Otoshi

Play is the work of children. It is very serious stuff.

– Bob Keeshan, AKA Captain Kangaroo

Time to Play

As the end of the school year approached and I looked out at the plexiglass-framed faces before me, I knew I had to do something to energize the last month of school.  I teach a Study Skills class to 4th graders, and I have tried this year to make organization, time management, and planning fun.  Sometimes, I admit, it is hard to make executive function skills fun and engaging.  I try hard, though.  I used videos, art, photography, poetry, movement to keep the girls actively participating.  However, as March turned to April, the girls’ exuberance was fading, and I knew I had to come up with a plan.  My plan was PLAY! 

The students had been cooped up all year: learning behind plexiglass, wearing masks, keeping socially distant from friends.  This year has been difficult, and incredibly difficult for children.  I’m not sure of what the ramifications will be in the future, but I do know that children have more fear and anxiety now.  The only remedy I know for fear and anxiety is collaboration and play. So, in mid-April I gathered my students and told them that for the rest of the school year they would be researching PLAY.  Many of them looked at me skeptically. “You mean we are putting on a play?” they asked.  I chuckled. “Well you could put on a play, but I mean you are all going think about and tell about why playing is important.” All of a sudden, the room became electric.  They buzzed with ideas. I smiled.  That’s just what I hoped would happen.

The first thing I did to prepare my students was to create a slideshow about the importance of play.  I added videos of children giving their opinions on play as well accounts from experts about how play helps people learn and thrive.  I found some great videos of animals playing, which I knew would be of interested to my nine and ten-year-old students. I loved watching their faces as I played the slideshow.  I had them hooked.  When the slideshow ended, they ran to me with ideas.  I told them to think about what they wanted to research about play.  It could be making a game, conducting an interview with a play expert, designing fidgets, or anything else they could imagine.

For the last three weeks, the girls have been thoroughly engaged in the process of creating.  They set goals, planned, organized materials, worked collaboratively, monitored their own progress and adjusted their plans to complete their projects.  I saw their independence and self-confidence blossom.  They were play engineers. They were in charge of their learning.

At times, they asked me for assistance, but these requests were mainly in the realm of getting specific materials.  Their work was their own. They did not seek me out to generate ideas or resolve problems.  I stood in the wings ready to help but found myself having free time to just  observe and document their progress.

Sometimes, when my colleagues witness my students at work, they think it is too chaotic.  The children are moving and talking constantly.  They are building and dismantling, and building again.  This is the process of creation.  It is messy and noisy and marvelous. It is the true nature of play.

Play energizes us and enlivens us. It eases our burdens.

It renews our natural sense of optimism

and opens us up to new possibilities.

– Stuart Brown, MD

SOME RESOURCES FOR TALKING TO CHILDREN ABOUT PLAY:

Baby Ravens Play

Kids Need Recess by Simon Link

Play is a Fundamental Human Right

Play is Important! by Brody Gray

When Huskies Meet a Wild Polar Bear

World’s Youngest Olympian: Skateboarder Sky Brown

Simple Gifts: Balloons, Fox Traps, and Marvelous Medicine

At this time of Thanksgiving, I want to pause and reflect upon the simple gifts for which I am grateful.  When I think back, I realize that my grateful moments revolve around books and children.  For the last forty-two years, I have been so fortunate to build my life around serving children and celebrating stories. This year has been especially critical because my school has had in-person learning five days a week with some students learning remotely. We have been in school for about 40 days and we feel a sense of accomplishment.  This past week, both students and teachers were seeking a way to celebrate, to sit back a bit, and have some fun.  It has been an uphill task this fall to muster fun behind masks, plexiglass and gallons of hand sanitizer. But we are all so grateful to be together.  Humans are social creatures, and it is essential that we share.

I am an English Language Arts Curriculum Coordinator.  That title sounds a bit stuffy and boring.  However, my job is anything but ordinary.  Every day is a truly new adventure.  Every day is an opportunity to learn from children.  Every day is filled with problem-solving and creativity.  I love visiting our elementary classes, observing literacy lessons, and then letting my mind loose – thinking of ways to extend learning.   Here are three classroom adventures that unfolded this week.

The 2nd grade read Balloons Over Broadway by Melissa Sweet about the puppeteer, Tony Sarg, who created the first balloons for the Macy’s Day Parade in New York City.  Sweet’s illustrations are phenomenal.  They inspire children to draw and design.  Over the years, this project grew from drawing paper balloons to coding robots that would carry actual decorated balloons through a replica of the parade route.  Since it would not be possible in this time of social distancing, we went back to the idea of making paper balloons that students could easily take home.  However, I wanted to make the balloons three-dimensional.  That’s when my early childhood teacher-mind kicked in.  I took a small brown paper lunch bag, stuffed it with strips of newsprint and then inserted a twelve-inch dowel, taped the bag securely around the dowel and added a colorful ribbon.  I now had my balloon base. Then I took construction paper and quickly cut out a turkey shape.  I glued the turkey onto the paper bag balloon and voila, a Thanksgiving balloon was born!  The project was ready to be launched.

When I walked down the hallway and entered one of the 2nd grade classrooms, the children called out my name and started to clap.  All of them.  For several minutes.  Without stopping.  Let me say that 2nd graders are really good for bolstering my sense of self! If you ever find yourself in a doubting mood, find a 2nd grader and she will reassure you that all is right with you and the world. Shortly after I arrived, the children quickly got to work.  The room was soon quiet with creating.  When I looked out into that small sea of intent faces, I was reminded that children’s work is important and that, above all, creativity matters.

The following day, I worked with 3rd graders who just completed a Roald Dahl study.  One class read Fantastic Mr. Fox.  Their teacher and I prepared an engineering activity where the students needed to design a humane trap to catch Fantastic Mr. Fox.  I made a kit for each student which included cardboard, tape, string, pipe cleaners, straws, popsicle sticks, paper towel rolls, and fabric. What was fascinating about this project was that even though every student was given the same materials, each trap was different, proving that every mind is capable of unique and wondrous things!  For homework, the children created short videos of their traps explaining how they worked and what design problems they encountered on the way, and how they re-designed their trap.  Critical and creative thinking were evident.  The students took ownership and pride in their constructions.

The other 3rd grade class had read George’s Marvelous Medicine, and I decided to have students create a class concoction. As I arrived and peered through the classroom door, one child whispered, “She’s here!,” and the others started bouncing up and down, reminding me again that I am so grateful for the role I play at my school. The night before, I had gone to the supermarket to gather edible ingredients, though the children would not be tasting our concoction.  In the story, George’s medicine is made from toothpaste, hair tonic, and all sorts of gruesome ingredients from Dahl’s wicked imagination.  Our class ingredient included: pink Himalayan salt, blue Gatorade, grape juice, Karo syrup, Golden Syrup, mustard powder, beet juice, sugar cubes, chocolate syrup, and pink peppercorns. I selected items that would be edible, but interesting. Once the students were seated, I showed them all the ingredients.  Each student got a chance to select an ingredient and decide the amount to put into our concoction.  As we created our marvelous medicine, I wrote the recipe on the black board, and the children had their own recipe templates to fill in and take home.  Once we created the medicine, I poured the concoction into small plastic bottles, one for each girl. Meanwhile, the girls named their medicine, wrote directions on how to take it, and explained what the medicine would do.  Their ideas were wild and brilliant.  It was truly inspiring to see their level of engagement.

And so balloon, fox traps, and marvelous medicine are indeed very simple things.  Things that, at first glance, are of no significant consequence.  But it is precisely these simple things and the time spent with children for which I am profoundly grateful.

Magic & Imagination in a Box

When I was a little girl, my older sister and I would spend hours sorting and playing with my mother’s large tin button box. The buttons were as different as snowflakes.  My sister and I spent hours looking for pairs or triplets. Sometimes we were successful, but mostly we intrigued by the uniqueness of each button – almost the same but just a shade different.  I can still see them in my mind: the round ivory button imbedded with light yellow daisies; the large round pale pink button embossed with small rectangles; the heavy gold ones etched with anchors and ropes; the tiny pastel buttons like delicate seashells. We would line them up, stack them, create mosaics, trade them, and then tenderly scoop them up and put them away for another day.  Tender. That’s a good word for how I feel about those times spent imagining and playing with my sister.  We played like this well into our teenage years.  When we actually used the buttons for sewing projects, I think we both did so reluctantly.  It was like saying good-bye to an old friend.  These small ordinary objects were precious to us.  They signified a magical time, a respite from the real world.

It wasn’t until I was in college that I encountered Gertrude Stein’s poem, “Tender Buttons.”  It is a long abstract, experimental poem that unwinds and wanders in and out of common objects, but there is a certain glittering magic within. Here’s a bit of it.

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… A kind in glass and a cousin, a spectacle and nothing strange a single hurt color and an arrangement in a system to pointing. All this and not ordinary, not unordered in not resembling. The difference is spreading.

GLAZED GLITTER.

Nickel, what is nickel, it is originally rid of a cover.

The change in that is that red weakens an hour. The change has come. There is no search. But there is, there is that hope and that interpretation and sometime, surely any is unwelcome, sometime there is breath and there will be a sinecure and charming very charming is that clean and cleansing. Certainly glittering is handsome and convincing…

And then as a young woman working in New York City, I came across a brick storefront one day on the Upper East Side called Tender Buttons.  I spent many a Saturday afternoon gazing at the boxes full of buttons.  I began my own collection of buttons, not to actually use, but merely to sit with and marvel. Diane Epstein, the owner of the shop had once described the buttons as “Each one is like a tiny evocative event.”  And that is precisely how I saw my childhood buttons.  The deep, sea green ones, the tarnished silver ones, the ones in the shape of shiny horns – all told a story – all held a secret. Unfortunately, Tender Buttons closed its doors permanently in 2019.  All the more grateful I am that I have kept a small collection of those buttons.

Thinking about my mother’s button box made me realize how important small common objects are for children: bottle caps, erasers, doodads – all manner of ephemera. They collect a myriad of these things in their desks at school.  I have confiscated thousands of tiny pencils, paper clips, and beads in my time as an elementary school teacher.  These treasure troves are important to children.  They are connectors to the imaginary.  They are a passport from the real world to an imaginary one.  They are indeed important.  In fact, they are essential. This is more and more evident in the time of COVID, as my students are going to school in-person behind masks and plexiglass, having to remain in their seats most of the day.  The urge to play is palpable.  They must sit, but they can still create with their hands. And to my delight they do! They fold paper, link paper clips, use great lengths of tape to transform their school world.  

A few weeks ago, one of my colleagues showed me the great gallery of objects her 4th grade students had created.  I decided the 4th graders each needed a box of objects with which to create.  I talked to the girls about my idea and they enthusiastically gave me ideas of what objects to include in the boxes.  One student dubbed the boxes fidgetneering boxes.  I loved that name and promptly drove to my local dollar store to buy the boxes and label them with the students’ names.  Then I filled the boxes with all kinds of childhood treasures from The Wonder Lab, our school’s maker space: straws, yarn, popsicle sticks, paper tubes, Styrofoam balls, bags of buttons, bags of beads, pipe cleaners, etc. This week, I distributed the boxes to the girls.  It was so gratifying to see them uncover the boxes and sort through the objects.  Their excitement was electric.  It was a rainy day, a great day to play and ponder.  Off they went for fifteen minutes to design and build.  Watching them reinforced my strong belief that children (both young and old) need the opportunity to wonder and imagine on a regular basis.  I told the girls that when the boxes get near empty, I would replenish their stores.  Their reaction was like I was giving them gold.  One student exclaimed, “This is marvelous junk.  Look what I made!”  Yes, just look. Marvelous common junk made magical!

THE WORLD IN A BUTTON

The world in a button,

Spherical and hard,

Sometimes shiny,

Sometimes tarnished with age,

Holes and embellishments,

Disappointments and surprises,

Ocean blue and earthy red,

Buttons in my hands

Slipping through my fingers

Making imaginary music,

Listen.

Most Likely to Create

Humans are social animals and as such we seek community.  We yearn for communication and understanding.  We want to be seen and most definitely heard. There are all kinds of communities to which I have belonged.  I have been part of a community of quilters, dancers, painters, teachers, cooks, readers, martial artists, and writers. As part of those communities, I was able to build strong bonds with others who shared similar interests and passions.  These alliances deepened my understanding and helped me express my ideas and support my fellow members.  I experienced valuable interactions and connections.  I learned and thrived by being part of all these communities.

As a teacher, I’m a natural collaborator. I enjoy standing back and observing students working in small affinity groups on various projects.  Engagement is the key to empowerment, and I’ve witnessed formerly detached children flourish. In these types of circumstances, children begin to recognize what interests them and learn how to make important contributions to their groups and to their common projects.

Recently I watched the documentary, Most Likely to Succeed created by Ted Dintersmith, a professor of engineering and the author of Most Likely to Succeed and What Schools Could Be. The movie chronicles students from High Tech High in San Diego California, which is a project-based high school. Project-based learning is a method of teaching where students work on a project over a period of time that entails solving real-word problems or answers a complex question.  Students work collaboratively, building skills and knowledge, and ultimately showcasing their project or presentation to a target audience. The movie follows the students through their freshman year.  We watch as students gain more and more confidence and knowledge.  They support each other and develop leadership skills. The year culminates with a school exhibit where students showcase their work be it art, theater, or engineering.  We revel in their successes, but we also get a glimpse of failure.  One student fails to finish his engineering project on time.  However, instead of wallowing in despair, his peers, teachers and family rally around him. He is able to reflect on the reasons he was unable to make the deadline. Clearly this student had a keen innovative mind.  His teachers knew that proper reflection and determination would lead to eventual success.  And they were right.  The student worked through the summer and was ultimately successful. His project was very intricate and displayed a high level of thought and expertise.  By failing, he was able to fail forward and create a complex piece that reflected his vision.

            After watching this film, I saw that there was another documentary with the same title – Most Likely to Succeed directed by Pamela Littky.  This documentary followed four high school seniors who have been voted “Most Likely to Succeed.”  The film follows these young adults over a ten-year period following their dreams of college and desires for career success and happiness.  The teenagers come from very different backgrounds and the film accurately portrays the trials and tribulations that arise given gender, race, and socio-economic status.  It is an incredibly powerful film, and I find myself wondering what has happened to those adults.  Viewers cannot help but create a strong connection with the characters, and one has to keep reminding oneself that these are real teenagers, with real problems, and real dreams. It is with community and connection that they are able to successfully navigate their lives and set a stable course.

            I have the honor of supervising my school’s make space called the Wonder Lab.  It is a multi-age community of elementary school girls.  They come voluntarily and work on projects of their choosing.  So often they tell me how important the lab is to them.  So often they beg to stay the whole afternoon.  It is so rewarding to see them take risks and work together; share ideas and challenge each other.  As we return to school this fall, I wonder how I can offer this space to them.  How can we still be a community of movers and makers?  I’m sketching out all types of plans because I know how essential this work is to their development.  I know it’s not just kids playing with duct tape and cardboard.  I know I have inventors, engineers, astronauts, entrepreneurs, artist, actors, musicians in front of me.  I know it is imperative to provide them space and foster community.

Most Likely to Create

Little girls gather

Forfeiting their recess

To spend time in the Wonder Lab,

A spacious room

Filled with light and

All manner of treasures:

Cartons, boxes, tubes,

String, nails, hammers,

Paints, tape, paper,

Wires, beads, gears…

What do you wonder?

What can you create?

Away they go –

The younger ones bound off

And start right away,

The older ones hang back a bit,

Talk together, write down plans.

The young ones have already

Started building with tubes

Taller than themselves.

And decide to begin

The older ones look on

Very carefully,

Very deliberately,

Soon there is a busy hum,

A flow of energy,

We forget the time.

Now older ones praise younger ones,

And younger ones help older ones,

And the quiet girl in the corner

Who builds by herself

Astounds everyone,

And is soon imitated.

They borrow, bend, cut, and paste,

They sketch, paint, and measure,

They lend a hand; they exchange ideas,

They construct a community of makers.

Getting Wild in the Wonder Lab

 

I don’t think I have a very wild life, but I do have a wild mind.  A few years ago, I was fortunate enough to be allowed to create a hands-on maker space in my school called the Wonder Lab.  It is a place where elementary students come to work on independent projects and make stuff out of recycled materials.  It has been my dream to be able to create this space.

Now that we are remote learning, the Wonder Lab lies dormant, but my mind is still wildly imagining.  I’ve created lots of Wonder Lab ideas for remote learning these past 3 months.  This weekend, I tried my hand at building a cereal box vehicle from an idea I got from this Ultra Creative – General Mills video.

Step 1: Okay, so what if you don’t have a cereal box?  Use what you have!

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I used 4 small boxes:

1 cracker box

2 tea boxes (1 tea box is inside the cracker box).

1 oatmeal box (cut in half and slid together so it is the same width of the cracker box).

I stacked the boxes on top of each other and taped them together with clear tape.  I made a basic truck shape.

Step 2: Building my Monster Truck

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I needed axels for the wheels.  I didn’t have any wooden dowels, so I used 2 unsharpened pencils.  I punched holes with a sharp pencil. I made sure they were in the place I wanted them to be before I punched through to the other side.

Step 3: WHEELS!

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I needed wheels!  And it’s a good thing that my husband likes to eat a lot of oatmeal.  I had an empty container of oat and grits.  I took the tops off and had 2 wheels.

But wait!  Don’t truck have 4 wheels.  I cut the bottoms off both containers and made another 2 wheels. 2+2=4 wheels!

Step 4: Two Types of WHEELS

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The narrow wheels would be the front wheels and the wider wheels would be the back wheels.  Then I punched a hole with my pencil in the center of each wheel.

Step 5: Try, Try Again!

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I slipped on my wheels and tried them out.  My back wheels were too wide.  The truck did not run smoothly. The back wheels kept getting stuck on the truck body.  So I took the back wheels off and trimmed them.  There are the trimmings under the scissor.  I had to trim a couple of times until it was just right!

Step 6: Wheel Caps

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Here you see that I took the wheels off again to make sure they fit just right.  I added caps to the end of the pencil, so the wheels did not fall off.  I had lots of little water bottle caps.  I poked a hole into the caps with a pen and then pushed a pencil through the hole until it was just right.

Step 7: Designing the Cab

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The tea box on top is the cab of the truck.  I drew a diagonal line across the front of the tea box and then I cut it off.  I made a hood from the cut piece and added aluminum foil headlights and cut a small rectangle from a plastic baggie for the windshield.

I LOVE MY TRUCK!

 Step 8: Ready to Roll!

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WHAT I LEARNED:

Making vehicles out of boxes is fun!

I had to try again and again to get it to work.

Making wheels is harder that I thought.

Next time, I will create all the body first BEFORE I make the wheels.

I want to make another one!  I must start saving more boxes!

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