Room to Read

This school year, I have taken on two positions rolled into one: curriculum coordinator and learning specialist.  Yes, it is a lot of work.  Yes, it is good I have a monkey mind and enjoy spinning lots of plates on long wobbly sticks all at the same time.  But the best part of my job is that I am the one teachers call upon to solve student puzzles.  I love having the opportunity to read and write with children and figure out why they are having trouble. I calm my monkey mind and I focus in on the student reader.

This week, a fourth grader confided to her teacher that she couldn’t understand any of the passages that she had been assigned.  She started to panic.  There were tears.  Then her teacher called me.  The next morning, I came to Lindsay’s class. As I entered the doorway, she jumped out of her seat and was eager to come with me.  I was surprised by her response because the year before, Lindsay tried her best to avoid me.  But now she was ready.  She wanted help. She wanted to read better.  We walked together down the long, bright hallway chatting about the summer and the best flavors of ice cream. Then we went out the door, through the courtyard, up the stairs to another building where my office is located.

Lindsay and I settled into our seats in front of a large picture window.  I was glad the room was large and cheerful with lots of light streaming in and a view of beautiful trees and flowering shrubbery.  I could tell Lindsay was a little apprehensive, so I kept the conversation pleasant and positive.  I asked her about what she had read during the summer, and she confessed that she read only two books. Instead of focusing on quantity, I asked her what the books her about.  She could not remember the titles or the topics.  This told me that she was definitely not connecting with books.  She had not yet entered the story and become part of it.  I knew that was going to be my job this year, and I was energized by that knowledge.

I told Lindsay that I had not always liked reading.  I told her that my dad was a writer, my mom was a teacher, and I had an older sister.  They were all readers.  I wanted to be different.  I wanted to do something else.  Then, when I was in 5th grade, Mrs. Skovron was my teacher.  She helped me to learn to read better.  She told me that I did indeed love stories and that together we would find the right ones for me to read.  And that’s exactly what she did, and that’s exactly what I promised Lindsay we would do together.  I looked at her and she was smiling.  She was ready to take the first step.  First, I taught her strategies for when you come across an unfamiliar word. We broke several words apart syllable by syllable, and her shoulders relaxed.  She read a passage silently and made a key comprehension error.  I pointed to a part in the passage, and I asked her to read it aloud.  She did and her eyes lit up. 

“Oh, I was wrong!” she said.  “I understand now!” 

We both laughed together.  I told her that for now she should read aloud so that she can hear the story unfolding and can pay better attention to it.  I talked about making pictures in her mind as she read.

She read the next passage aloud to me. I stopped her when I knew her understanding was breaking down, and we talked about what was happening in the text.  Little by little, slowly we make our way through the text.  When she reached the end, I could tell by her facial expression that she really understood the story and could retell it confidently.  She had worked hard. It was time to return to class.  Lindsay saw a colorful box on the windowsill and asked me what was inside.  I opened the box to reveal a collection of seashells. 

“Pick two,” I said. She looked up at me,

“Really? They are so beautiful.” 

“Yes, you worked hard.  Take two,” I told her. 

I knew that I had made a reading partner, we were ready for a year of adventures.

Room to Read
 
I was not a born reader
For me, reading was work
Long, hard work,
Words stretched out
Each and every sound
Slow... slow... work,
Work that required patience and precision,
Which, at times, I had a short supply.
 
 
Everyone in my family was a reader
All my friends were readers
I would rather be running
Swinging, swimming, biking
Hiding in the woods, skipping stones
Reading was slow
Reading was done inside in a quiet room,
Reading required singular attention.
 
Then I entered 5th Grade,
Loved my teacher at first sight,
And I knew she like me.
Very soon, she realized I was not a reader.
I read aloud in a staccato monotone,
I gulped, sighed, and struggled my way
Through sentence after sentence.
When I was done, I had no idea what I had read.
 
My teacher didn’t give up,
She was patient and precise,
She helped me unlock the sounds
And read more smoothly.
She held out book after book to me,
I shook my head – no, not this one –
Or that one – or that one –
None held my interest
 
Until Misty of Chincoteague.
I loved horses, and wild ponies
Piqued my curiosity.
That day I brought the book home,
I filled my bathtub
With pillows and blankets
and climbed inside - book in hand,
Snuggled down and began to read.
 
I was there on the island surrounded
By sand dunes, tall grass, the smell of salty air.
My mother knocked on the door
Wanting to know what I was doing.
“Reading,” I responded.
She peaked in to see me
Reading in my reading nest
And quietly closed the door.
 
Those ponies, those words, that book
Unlocked reading for me.
I read horse book after horse book,
Then books about ancient Egypt,
After that, I read about a girl named Harriet
Who got into a lot of trouble.
Now, I was a reader.
Now, I was ready for another story.

Write What You Notice

I recently attended a teacher’s workshop presented by Penny Kittle at Rutgers University sponsored by Rutgers Center for Literacy Development.  I’ve seen Penny many times. Usually, she talks to teachers about creating reading and writing workshop spaces in high school classes.  Penny was a high school English teacher in New Hampshire and her mentor was the late, great Donald Graves.  I was looking forward to Penny’s presentation because she is always inspiring and gives my teaching doldrums a spark.   This time, I was especially looking forward to hearing her because she would be talking about one of my favorite subjects – Poetry.   However, in the back of my mind, I thought there was very little new that I’d learn ,since I was a student of Adrienne Rich, have published some poetry, and have taught poetry to children for the last 40 years.  What could Penny teach me that I could bring back to the faculty at my school?  Probably not much, but I’d have a great day listening to and writing poetry.  That is a noble undertaking in cold and dreary January.

And of course, Penny had much to share.  She talked about exposing students to a lot of poetry, reading it aloud and re-reading it.  Then lifting a favorite line and using that line to spark one’s own poetry.  I’ve done this many times before both as a student and as a teacher, but practicing it again with unfamiliar poems made it all brand-new again to me.  One of Penny’s creative admonitions also rang true:  Don’t write what you know – Write what you noticeAs a little child, I was always noticing everything in my environment.  In fact, I was such a slow reader, because I was absorbing and dissecting the author’s craft.  I didn’t want anything to escape my notice.  I was also a notorious eavesdropper, using everything little tidbit in different poems, stories, and drawings. Helping students develop a keen eye for noticing is a essential in having them grow to be more curious and deliberate writers.

Then came a space in Penny’s presentation in which she showed a video clip of a poem by Patrick Roche, “21 Cups.”  I could not keep up with the rest of the workshop activities after that.  I became entranced by Patrick’s poem both the way in which he constructed it – counting back from 21 years to one year old – and the compelling way he described the dysfunctional relationship he had with his father.  Patrick’s poem completely held my attention; completely made me sit up and take notice.  Now, this is the true power of a poem. I immediately had to share it with someone.  Who could I share this poem with?  I knew almost immediately – Mike Rosen!  Mike is a former student of mine, and now he is an amazing, accomplished spoken word poet.  I would share Patrick’s poem with Mike; he would understand.  And of course, the world being what it is – small and round – Mike knew Patrick’s poem and had organized a poetry slam in which Patrick was one of the participants.  Small world, indeed.  And that is the other power of poetry – it connects.

I strive to write poems that will make people sit up and notice and connect.  I want to help students writers to notice, connect, and share.  One of the 3rd grade classes in the the school where I am the ELA Curriculum Coordinator, introduces children to philosophical ideas through literature.  This past week, the 3rd grade teacher shared with me her students’ reaction to the question: “Is art and poetry necessary for a community?” after reading Leo Lionni’s book, Frederick This teacher was a bit dismayed that her young students all agreed that poetry and art were indeed NOT necessary.  She wanted to jump into the discussion and tell them that they were wrong, but that is not allowed in philosophical discussions.  My reaction to her was that she needed to provide her students with more art, music, and poetry and have them wonder what life would be without the arts.  This is what happens when we separate the arts from academic instruction, but that is a topic at another time!

Penny ended her presentation by sharing the work she has been doing as a board member of the non-profit group, Poetic Justice, which helps incarcerated women in Oklahoma express their feelings and ideas through poetry and writing classes.  Here, Penny illustrates the immense need for community to forgive and heal through poetry.  Here, she shows  pathways between the outside and inside world.  Here, there is a place for inmates to  explore the depths of right and wrong and redemption.  And it is here where readers sit up, take notice and are transformed.

Being Present to Joy

My colleagues worry about not having time enough to teach.  They have so much content they need and want to cover.  As a curriculum coordinator, I create tons of documents – benchmarks, scope & sequences, lists of standards by grade level to make sure we don’t miss teaching one single skill or strategy.  This is all well and good.  In fact, this is our job: to give our students a quality education.

However,  as I observe many classrooms, I’m realizing that we certainly cover lots of material and teach a myriad of skills, but we often forget the joy of learning.  Often, we cannot find time for stopping and laughing and celebrating what we’ve accomplished.  Many of us squeeze in as many skills and strategies as we can and are grateful that we complete them so we can check them off our lists, our every increasingly long lists.  We’ve forgotten how to be present to a children’s sense of wonder, a student’s newfound knowledge, someone’s struggle with a difficult concept and then – click – her instant understanding.  When we are in a constant hurry, we miss these things.   This view was noted in an October 12, 2013 blog post by Pernille Ripp: “I stopped telling them what to do and waited for them to figure it out.  Sure I ended social studies 4 minutes before I normally do, but we still got through it, they still had the time they needed, and at the end of the day we walked out as the first group in our building with smiles on our faces.”  It is crucial that when students and teachers walk out of their schools that there are smiles and a feeling of achievement – a day well spent.”

Recently,  I was witness to classroom joy during an activity I designed.  Every November, we read aloud Balloons Over Broadway by Melissa Sweet to our 2nd grade students.  The book is about the work of Tony Sarg, who was the first person to create the Macy Thanksgiving Day Parade balloons. After the students listened to the story and watched a slide show about Sarg’s life and accomplishments, the girls were tasked with creating their own parade balloons using paper, glue, scissors, and lots of imagination.  Each year,  I marvel at the ingenuity of these young students as their balloons take shape: unicorns, pandas, a cube, floating ballerinas, griffins, and more imaginative creatures.

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During our balloon making workshop, as the girls were cutting, glueing, and revising their designs, they spontaneously broke into song,  singing in harmony “Do Re Mi” from The Sound of Music. No one told them to start singing.  They just were happy creating their balloons and began to sing as they worked.  Their classroom teacher and I smiled at each other and watched as they continued to work productively.  It’s in these moments of joy that children truly learn.  There were so many skills and strategies that the girls were applying and using.  They were right in the midst of what Lev Vygotsky called the zone of proximal development (ZPD), and what the psychologist Mihaly Csikszentmihalyi called “flow.” It is this optimal condition that we want all students to attain for it promotes independent thinking and motivation.  As Ellin Oliver Keene notes in her book, Engaging Children: Igniting a Drive for Deeper Learning K-8, “Engagement…  is characterized by feeling lost in a state that causes us, on one hand to forget the world around us, to become fully engrossed. On the other hand, when engaged, we enter into a state of wide-awakeness that is almost blissful. We want to dig more deeply into our reading or listening or learning or taking action; we allow emotions to roll over us; we’re eager to talk with others about an idea—we’re even aware of how extraordinary or beautiful those moments are.”

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I urge all teacher to be open to those joyful moments.  Embrace them, make time for them, and realize that within joy lives true engagement, motivation, and life-long learning.

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Books for Teachers:

Mindfulness for Teachers by  Patricia A. Jennings

Onward: Cultivating Emotional Resilience in Educators by Elena Aguilar

Practicing Presence by Lisa J. Lucas

Teach Happier by Sam Rangel

The Book of Joy: Lasting Happiness in a Changing World by Dalai Lama and Desmond Tutu

Books for Children: 

All My Treasures: A Book of Joy by Jo Witek

Anna Hibiscus’ Song by Atinuke

Augustus and His Smile by Catherine Rayner

Double Happiness by Nancy Tupper Ling

Every Little Thing by Bob Marley

Happy by Pharrell Williams

If You’re Happy and You Know it by Jane Cabrera

Joy by Corrinne Averiss

100 Things that Make me Happy by Amy Schwartz

Perfect Square by Michael Hall

Taking a Bath with the Dog: and Other Things that Make Me Happy by Scott Menchin

The Jar of Happiness by Alisa Burrows

 

 

 

Seeing Possibility

When I was starting my journey as an elementary classroom teacher, my eyes and ears were trained to search out problems.  Who was having trouble decoding words?  who couldn’t continue to build onto a pattern of shares or numbers?  Which ones had trouble settling down?  How could I help this one distinguish right from left?  How could I help that one learn to tie her shoe?  Of course,  I was a teacher and this was my job – to help – assist –  encourage – nurture.  I focused all my attention on the problems.  What wasn’t yet achieved?

As I gained experience, I relaxed into the role of a careful observer.  I still nurtured students’ nascent talents, but my gaze increasingly became one of possibility.  I was focused not so much on students’ weaknesses – the things they could not yet do.  But rather set my mind and intention to what they could do, what made them motivated, what ignited their passions for learning.  I had several mentors along the way who shared the same belief system.  Carl Anderson approaches writing workshop conferences as opportunities for students to see themselves as writers.  He recommends that during each conferring session, the teacher give the student a glow and grow This consists of giving the student feedback on something in their writing that works wonderfully, and also give a suggestion about their writing that will help them grow.  Katherine Bomer also takes on this stance in her book,  Hidden Gems, she encourages teachers to look for the surprising and fresh writing moves children make instead of focusing on the writers mechanical mistakes.  This growth mindset rings true to me because in my experience more growth and opportunities arise from seeing possibility than from focusing on deficits.

I have been fortunate enough to be teaching for forty years.  And with that amount of experience, I’ve seen young children who couldn’t stand still, had trouble learning to read, had undecipherable handwriting – grow into young adults who were accepted into colleges, including many Ivy League institutions. And later, those young adults became heads of real estate or financial companies, major athletes and artists, and promising entrepreneurs.  They learned to seek paths that played to their strengths and challenged themselves to see beyond their weakness and stay intent on building their strengths.

The very first mentor I encountered in my life was my mother, Vivian.  She was a talented artist, fashion designer, seamstress, and eventually an elementary teacher.  Her creativity and determination became my source of strength in so many areas of my life.  This month marks the fifth anniversary of her death.  I miss her every day.  I recently began reading Barbara Kingslover’s novel, Unsheltered One sentence stood out to me as the main character,  Will Knox, talks about the loss of her mother:  “Really it was her mother she’d wanted to call right after the bad news, or in the middle of it… it had been her mother who put Willa back together.  When someone mattered like that, you didn’t lose her at death.  You lost her as you kept living.”  When I read those words, I felt an instant connection to the author.  “Yes,” I thought – “Yes,” that is what it’s like to lose a loving mother.  Time has given me an opportunity to reflect not only on what I have lost, but also on what my mother gave me – all her gifts.  And for that I am so very grateful.

First Teacher

I remember your ruby-red lipstick and dark eyes,                                                                    You were the one who taught me laughter.

I remember the sound of your heartbeat as we cuddled                                                          Cozy together in the wooden rocker,                                                                                               It was you who taught me the power of stories.

I remember your hands pushing and kneading dough                                                              Into a perfect pie crust,                                                                                                                    You were the one who taught me patience.

I remember your cool cheek on my hot forehead                                                                          It was you who taught me love.

I remember your fingers flashing over fabric:                                                                Folding… pinning… cutting…                                                                                                             It was you who taught me perseverance.

I remember you standing tall,                                                                                                  Bending down close, guiding and reassuring,                                                                              You were the one who taught me kindness.

I remember you dipping into paint,                                                                                      Creating a world of color,                                                                                                                    You were the one who taught me possibility.

I remember your quiet calm in the face of pain,                                                                          You taught me courage.

I remember your lasting embrace                                                                                                    It was you who taught me acceptance.

Mindful Assessment: Breathe, Lean in, & Listen

Fall is here, and for me September and October mean it’s time for ELA assessments. The teachers, specialists, and I gear up to assess the reading, phonics, spelling, and writing skills of students to help support their learning throughout the year. It is an intensive rush to provide the best instruction possible. This year, as I begin to assess third, fourth, and fifth grade students’ reading, I feel the usual pressure to get the assessments completed quickly and efficiently. Then I remember the Zen principle of being present. Instead of thinking of all the things I need to do as I listen to a student read about early railroads, I stop myself. I take a deep breath, lean in and truly begin to listen. As I listen, I ask myself, “ What strategies is this student using to help her understand the story?” I marvel at how young readers naturally “talk back” to the text, questioning what they’ve read and re-reading to fully consider the information. Of course, I’ve been reading some of these same passages for several years, but it never fails to amaze me how each reader brings something new to the reading. The students’ beginner minds allow them to be open to the text and to create understanding together with the author. I have had some fantastic conversations about steam-powered railroads, the process of respiration, and an author’s travels to Japan. The most important outcome of these assessments is the time I spend with young readers listening to them construct meaning. I call this process Mindful Literacy, finding joy in the reading moment.

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In the rush of everyday life, when dinner has to be put on the table and clothes need to be washed – I urge parents and teachers to take a deep breath, lean in, and listen to your children and students read.  You will discover the strategies they are learning to decode new words and to understand complex text. As they read, their words will transport you to new worlds. They will ask questions you may have no answers for and together you can ponder the possibilities. You may, in turn, want to read to them and then it is their turn to breathe, lean in, and listen with their full imaginations.

Mindful Literacy cannot only slow us down and help us to attend to what’s important, it can also help us to love texts and the subjects we know through them. This deep engagement with books can inspire in us a reverence for word and deed and for one another. It just takes a small space in the day to connect with your young reader and share a magical reading moment.